Tampilkan postingan dengan label Kamera DSLR. Tampilkan semua postingan
Tampilkan postingan dengan label Kamera DSLR. Tampilkan semua postingan

Kamis, 30 Agustus 2012

Spesifikasi Kamera 2012 Nikon D4

Tak lama setelah mengumumkan rakasa baru dari kamera, Nikon menerbitkan sampel foto  pertama dan video yang diambil dengan dengan kamera Nikon D4.

Sayangnya, Nikon memilih untuk tidak mempublikasikan sampel dengan pengaturan Nikon D4 tertinggi - ISO 204.800.



Sampel / contoh gambar hasil Nikon D4 pertama:




Contoh Hasil Video
<iframe width="560" height="315" src="http://www.youtube.com/embed/nZZMIo7Zfys" frameborder="0" allowfullscreen></iframe>

Fitur Spesifikasi:

  • 16.2 effective megapixel, full-frame sensor (16.6MP total)
  • 10fps shooting with AF and AE, 11fps with focus and exposure locked, 24fps 2.5MP grabs
  • 91,000 pixel sensor for metering, white balance, flash exposure, face detection and active d-lighting
  • ISO Range 100-12,800 (extendable from 50 – 204,800)
  • MultiCAM 3500FX Autofocus sensor works in lower light and with smaller apertures
  • Two sub-selector joystick/buttons for shooting orientation
  • 1080p30 HD video at up to 24Mbps with uncompressed video output
  • New EN-EL18 battery (21.6Wh capacity, CIPA-rated at 2600 shots)
  • Twin card slots - one Compact Flash and one XQD

Jumat, 02 Maret 2012

Canon 5D mark III vs Nikon D800

by Enche on March 2, 2012
Akhirnya, Canon 5D mark III telah diumumkan. Kamera ini adalah kamera DSLR berkelas profesional yang di desain untuk profesional atau fotografer amatir yang mendambakan kamera yang relatif ringan tapi memiliki kualitas yang tinggi.
nikon-d800-vs-canon-5d-mk3
Canon 5D mark III akan menantang Nikon D800 yang diumumkan beberapa waktu yang lalu. Sekilas, 5D mark III terlihat lebih seimbang daripada  Nikon D800. Tahun ini, Canon menekankan ke kecepatan dan kualitas foto daripada besarnya resolusi foto. Nikon memilih meningkatkan ukuran foto dan ketajaman foto.
Tiga sampai empat tahun yang lalu, Nikon menekankan kepada kecepatan dan kualitas foto di kondisi cahaya yang kurang baik. Karena ukuran foto hanya 12 MP, banyak pengguna Nikon meminta Nikon membuat kamera yang dapat membuat foto yang berukuran lebih besar. Maka dari itu, D800 merupakan jawabannya. Nikon D800 memiliki 36 Megapixel, tiga kali lebih besar daripada Nikon D700.
Di sisi lain, Canon 5D mark II memiliki 21 MP, yang cukup besar untuk cetak ukuran besar, tapi Canon 5D mark II kurang begitu cepat dan kurang bagus di ISO tinggi (lebih dari 1600). Hari ini, Canon menjawabnya dengan meluncurkan 5D mark III. Kamera ini lebih baik secara keseluruhan dari Canon 5D mark III, dari kecepatan maupun kualitas foto.
Saya kira jawaban Canon lebih baik daripada Nikon karena 5D mk 3 lebih seimbang dan serba guna. Kamera ini cocok untuk berbagai jenis fotografi dari fotojurnalis, travel, portrait, model, pemandangan, fashion dan lain lain.
Di pihak lain, Nikon D800 lebih terbatas kepada orang-orang yang ingin membuat foto terbesar yang dapat dibuat oleh kamera DSLR. Kamera ini lebih ditujukan kepada jenis fotografi yang lebih spesifik, yang mementingkan ukuran foto untuk dicetak besar atau untuk menangkap detail sejelas-jelasnya. Jenis fotografi yang cocok yaitu fotografi komersial dan fotografi pemandangan.

Kelebihan Canon 5D mark III

  • Kecepatan foto berturut-turut lebih cepat 6 foto per detik vs 4 foto per detik
  • Rentang ISO lebih lebar 100-25600  vs  100-6400
  • Layar LCD sedikit lebih besar 3.2 inci dengan resolusi 1 juta titik
  • Titik fokus 61 buah (41 diantaranya titik fokus yang bertipe silang lebih sensitif) vs titik fokus 51, diantaranya 15 titik cross-type

Kelebihan Nikon D800

  • Ukuran foto lebih besar 36 MP vs 22MP
  • Kompatibel dengan lensa DX (Ukuran foto akan menjadi 15.5 MP)
  • Shutter lebih tahan lama (200 ribu jepret vs 150 ribu jepret)
  • Ada pilihan versi D800E yang lebih tajam
  • Memiliki lampu kilat built-in
  • Lebih murah sekitar 4-5 juta Rupiah

Seri

  • Jendela bidik 100%
  • Processor HDR
  • Tahan air dan debu
  • Dua lubang untuk kartu memori (kartu CF & SD)
  • Bisa merekam video HD, dengan durasi yang cukup lama (30 menit)
  • Hampir sama besar
Berita bagusnya adalah, Nikon D700 dan Canon 5D mark II mungkin akan di diskon dan merupakan kesempatan yang baik untuk membeli salah satu dari kamera tersebut. Meskipun D800 dan 5D mark III akan tersedia dalam waktu beberapa bulan lagi, tapi kamera semacam D700 dan 5D mkII masih merupakan kamera yang sangat bagus.
- Canon 5D mark III contoh foto dari Canon Japan. Nikon D800 contoh foto dari Nikon Imaging USA
sumber ; http://www.infofotografi.com

Kamis, 12 Januari 2012

Nikon D4

The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option. Now available for pre-order here at B&H
nikon d4
Nikon presents their new flagship DSLR: The D4
Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color.
Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.
“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”
Tutorial video

Velocity Meets Versatility Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.
The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines, photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.
The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4′s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.
All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.

Image Quality That Hits the Mark

The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.
Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3 micron pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.
Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.
There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.
 The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.
Full HD video recording – Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.
Full manual control of exposure – Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.
Uncompressed output: simultaneous Live View – By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.
Audio recording for professionals – The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.
Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes – Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.
Simultaneous live view output without display / simultaneous monitor – Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.
Full-time AF – In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.
New LCD screen – The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. Users can also zoom in up to 46x to check critical HD focus.
Time lapse shooting – This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.
Remote shutter operation – Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.
NIKKOR lens compatibility – The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.
Professional Construction, Superior Operability
The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.
The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4′s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.
Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.
Price and Availability
The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.


Kamis, 01 Desember 2011

Video DSLRs vs Camcorders

The Dirty Little Secrets

The convergence of stills and video continues. An increasing number of DSLRs now have video capability. The first were the Nikon D90 and Canon 5DMKII, both introduced in 2008. The first half of 2009 has now seen the Canon Rebel T1i (500D), Nikon D5000, Panasonic GH1, and Pentax K7 introduced.
While this site's primary focus is still-image making in all its forms, the convergence movement on the part of the camera industry requires that attention also be paid to video and video making. While there is reluctance on the part of many amateurs to adopt this blending of image making disciplines, many pros have embraced video as a new means of revenue generation, not to mention creative expression. And for creative amateurs it's becoming clear that things don't have to be an either / or decision; a great many leading photographic artists have also been filmmakers, such as Robert Frank, Henri Cartier-Bresson, and Gordon Parks, to name just a few.
Since we expect that just about every DSLR introduced from now on will have video capability, It is worthwhile understanding the difference between what a Video DSLR (AKA – ComboCam) and a Camcorder each have to offer, both for the videographer and the still photographer wanting to get into video.
If the jargon and basic concepts of contemporary video are a bit unfamiliar to you, my Video Primer for Photographers may be of some assistance.

It's About Shallow Depth of Field

Just as in the world of digital stills, there are categories and cameras, and then there are marketing words such as amateur, prosumer, and pro. Depending on who's saying them and the context, these can either be explanatory or pejorative.
Video capable DSLRs like the Canon 5D MKII have been rapidly embraced by professional and indie film makers for what it can do, but not because it is by any stretch of the imagination a professional video camera.
The magic that video DSLRs offer is their large sensors (at last when compared to video cameras). No, not for the purposes of increased resolution. 1080 and 720 are what they are, and a larger sensor doesn't provide any higher resolution. Rather, because these larger sensors allow for narrower depth of field. Of course it's not the sensor size so much as it is that for a given aperture and focal length one gets narrower DOF with a larger sensor as a consequence of their using longer focal length lenses for the same image magnification. This is the holy grail for many film makers: the narrow DOF that allows the videographer to isolate a subject and therefore give the scene a more "filmic" look.
Combined with shooting in 24P (another filmic conceit (Def 4.b)) these are the two characteristics that North American independent film makers (Indies) try for when shooting video. In the rest of the world most video producers just don't get it. That's fine. I'm fairly agnostic on the subject though trending more towards embracing shallow DOF and 24 FPS the more I shoot.
The reason for this preamble is to try and shed some light on why film makers are going a bit nutso over video DSLRs, even though these are, for the most part, not very good all-round video cameras.
They're not – you say? How so?

What We Do and Don't Currently Get with DSLR Video Cameras

As exciting as video-capable DSLRs are for film makers of various stripes, they lack a great deal as video cameras per se. The list below is not intended to be comprehensive, and not every feature lacking is missing on every current video DSLR. Some have one or two desirable video features, others don't. But, for someone who looks at one of the new video DSLRs and says to themselves – self; this is all I need to shoot movies, here's what's often missing or problematic.

Viewfinders and Screen

Serious videographers require both an articulated LCD screen as well as an electronic viewfinder. An EVF allows for more stable shooting when hand-held, and also for clear viewing in bright sunlight. Most current Combocams (the Panasonic GH1 is the only current exception) have just an LCD screen with "Live View" video, and only a handful of the newer models have articulated screens. (A DSLR's optical viewfinder isn't available in LV and video modes).
A fixed LCD makes many types of shooting situations awkward at best. Having only a fixed LCD and no EVF is really like trying to shoot with one eye tied behind one's back – to mix a metaphor.
All pro level camcorders and the top amateur handycams have both, and all higher-end camcorders have EVF's with large eye relief, allowing glasses to be worn. Most are also articulated, so that one can look through the viewfinder while the camera is situated at a low vantage point.

Audio

Of almost equal importance to image quality is audio quality. All video capable DSLRs (Combocams, as I've dubbed them) can record sound, but it's often highly compromised in several ways.
– Less expensive models often only have mono audio recording.
– Because these are primarily still cameras the controls can be noisy to operate and therefore sound can be seriously compromised.
– Audio monitoring is often missing; the ability to listen to what is being recorded through a pair of headphones. Recording sound without audio monitoring is like recording video without being able to see a screen.
– Most Combocams lack the ability to manually set audio levels, relying instead on auto gain control (AGC).
– None of the available or announced Combocams have XLR connectors. Instead they use mini-jacks which, as anyone knows who has used these on location, are the work of the devil. They break and come loose if you look at them the wrong way. XLR connectors are industrial strength and used in pro gear. Anything else is a disaster waiting to happen.

Power Zoom

– Combocams, being DSLRs at their heart, lack power zooms, which virtually all video cameras have as a matter of course. Amateurs use zoom more than is good for them (or their audiences), but having the smoothness of a power zoom mechanism when needed is welcome, and very hard if not impossible to emulate on still camera zoom lenses without expensive and bulky accessory gear.

Redrock Video DSLR Accessories

Peaking and Zebras

– Real video cameras provide two aids to assist exposure and focus, peaking and zebras. Zebras are similar to the flashing highlights that one gets on a DSLR's on-screen review image, but with several advantages. Firstly, they are "live" so that one can adjust exposure before shooting a single frame. Secondly, on most of the better low-end, and all the high-end video cameras, one can adjust the point at which the zebra pattern starts and stops.
Stops, you ask? Yes. For example, you can specify in the menus that the zebra pattern will only show in areas between 80% and 90% of maximum exposure. Anything above 90% will be ignored. This is great for not being distracted by zebraing on specular highlights and also large blown-out areas such as clear skies.
Peaking is the ability to set the viewfinder to show areas of greatest sharpness. On the new JVC HM100, for example, it turns the viewfinder or LCD to monochrome (which some video shooters prefer to work in in any event) and then shows edges of greatest sharpness in the image with a coloured outline, red for instance. Very handy when doing critical manual focus pulls. (Focus Pulls – manually changing focus during a shot to change the viewer's attention to the desired subject.)

Codecs and Data Rates

Various video and still / video cameras use different video encoding schemes. These range from the inefficient (Motion JPG) to the very efficient (AVCHD). I'm referring to efficiency in terms of data compression. Video produces vast amount of data, and high resolution Progressive can be very large indeed.
The bit rate that a camera uses is also a factor. Generally, the higher the bit rate the higher the image quality, but a lower bit rate can be used when a more efficient codec is applied.
This is too great a topic to be explored here, but be aware that there's no free lunch, and you need to understand the bit rate and the codec being used to make meaningful comparisons, and even then a big variable becomes how easy or difficult it is to work with the files.
Until very recently the highest compression codec, AVCHD, has been a real bear to work with efficiently in terms of editing, but that is now (mid-2009) changing for the better.

Resolution and Frame Rates

Proper video cameras shoot at a range of resolutions and frame rates. Current models can typically shoot at 1080i 24/30/60, 1080P 24/30, and 720P 24/30/60. No Combocams have this versatility, at least as of mid-2009.
It is important for many videographers to be able to match with footage shot on other systems. If a Combocam can only shoot 1280 X 720 (720P), for example, and the footage needs to mixed with others that are 1920 X 1080 (1080i), this can be problematic.
Worse are Combocams that shoot bizarre non-standard frame rates, such as 20FPS. Who thought that was a good idea?

Real-Time Output

Articulated LCDs and EVFs are important, but in many production environments, even fairly simple ones like low budget music videos, external monitors are demanded, and this means having live HDMI or component video output. Among Combocam only the 5D MKII, I believe, offers this.

Jello-Cam

Many advanced amateur and pro camcorders use CCD sensors and therefore do not suffer from a rolling shutter; so-called Jellocam, the effect that one sees with CMOS based video cameras, where there is a temporal difference between the time that the top of the frame is recorded as compared to the bottom of each frame. Thus, if the subject moves horizontally during a shot, or the cameras does similarly, the subject will appear to bend.
There are, of course, CMOS-based pro video cameras such as the Sony EX1 and EX3, and the Red One. And, yes, they do display some image distortion on rapid pans or subject motion, but for technical reasons (more sophisticated on-board processing chips) this is far less that is seen with Combocams.

No ND Filters

With still cameras one uses shutter speed and aperture to control exposure, along with ISO. When shooting video one has "Gain" instead of ISO, but shutter speed isn't really available, unless one is looking for a special effect, and aperture availability is limited because with small sensors one pretty quickly gets into diffraction at smaller apertures and therefore reduced resolution.
For this reason video cameras have built in neutral density filters which can be dialed in in one, two or sometimes three stages. This enables shooting at wide apertures, even in bright sunlight. No Combocam has this capability.
Screw-in ND filters can of course be added to Combocams, but they are slower to use and therefore less convenient.
____________________________________________________________________________________

The Bottom Line

Video capability in DSLRs represents nothing short of a revolution. A new generation of photographers will embrace what they have to offer and use them to create new forms of art and commerce. In a few years we'll likely think that a still camera that can't also shoot video, or a video camera that can't also shoot stills is strangely underfeatured.
Still photographers will embrace them because they provide a new tool; a new possible means of creative expression. Videographers and movie makers will adopt them because they provide convenient access to that most desirable of traits in film making: shallow depth of field.
Does a Combocam obviate the need for a video camera? Should commercial photographers adding video capability to their repertoire just use one of these, rather than also working with a Camcorder?
It's feasible, but I would advise against it. For all of the reasons listed above, a Combocam, as good as it can be, is limited in its features and capabilities, and therefore there will remain a great many things that they simply can't do, or at least can't do all that well.
Does every still photographer need video. No – of course not. Many don't, and will resent the focus on them (so to speak). I'm old enough to remember when TTL metering, auto exposure, zoom lenses, autofocus, and of course Digital were all new, and all were disparaged by the cognoscenti. That's OK. Being an "old fart" has nothing to do with chronological age, but everything to do with head space.

Canon EOS-1D X specs

 

Full specs of the Canon EOS-1D X, including release date

Price TBA
Availability March 2012
Width 163.6mm
Height 158mm
Depth 82.7mm
Weight TBA
Battery Rechargeable Li-ion Battery LP-E4N
Sensor 18.1 MP full frame CMOS sensor
Len mount EF (excludes EF-S lenses)
Burst Up to 12fps and 14fps shooting
ISO 100-51200 ISO, up to H:204800
AF system 61 point AF system
AF modes One Shot
AI Servo
Metering TTL full aperture, 100,000 pixel RGB AE metering with DIGIC 4
Video Full HD 1080p EOS movie
Connectivity Ethernet, Hi-Speed USB,HDMI mini output 
Screen Size Clear View II 8.11 cm (3.2”) 1040K-dot LCD
Live view? Yes
File types JPEG: 10 compression options, RAW, sRAW (14bit, Canon original RAW 2nd edition), DPOF

Jumat, 18 November 2011

Digital still cameras

Introduction


This tutorial covers principles of digital photography in general, but refers to these Canon cameras as examples:
PowerShot G1, G5, Pro1, Rebel XT
If you have a different camera, you'll find that the same functionality is present on your camera, though buttons and menus may be in places other than those shown here. Consult your owners' manual.

About Digital Cameras

Digital still cameras store photographs as digital bits on a memory card or tiny hard drive, as opposed to the film used in traditional cameras.
Rather than developing and printing film, digital images can be downloaded easily to a computer. A photographer also can instantly review shots on an LCD (liquid crystal display) monitor built into the digital camera. The memory cards can hold a large number of images. After downloading the images to a computer, the flash cards can be erased for reuse.
The main drawbacks to digital still cameras are:
  • A slight delay that occurs between clicking the camera's shutter button and the camera actually taking the picture. The better the camera, the shorter this delay will be. Professional digital cameras do not suffer from this lag time, and the problem is becoming less pronounced even with cheaper consumer/pro-sumer cameras.
  • A battery is required for operation, so you'll need to periodically recharge it (this can be done by connecting the camera to an AC power adapter and charging the battery in the camera, or by purchasing a separate AC battery charger).
  • Photos that are not quite as high quality as what you get with traditional single lens reflex (SRL) cameras, unless you purchase a very high-end (and expensive) digital camera. But even a mid-range digital camera produces photos that are suitable for the vast majority of purposes, including Web publishing.

SLR vs. Non-SLR

There are two basic kinds of digital cameras: Digital SLR (single lens reflex) and non-SLR. Digital SLRs are generally more expensive and more accurate than non-SLR cameras, and include more professional features.
SLR cameras -- whether film or digital -- use a system of mirrors to take the image coming through the lens and reflect it up into the eyepiece. Thus, what you see in the eyepiece is exactly what you get on the camera back, where the image is recorded. In contrast, the eyepiece on a non-SLR camera looks out through a separate hole at the top of the camera. As a result, what's seen through the viewfinder is slightly different from what comes through the lens. What you see is not exactly what you get.
While we sometimes think of the ability to preview a shot as a hallmark of digital cameras, there is an interesting side-effect of using an SLR camera in the digital world: The mirror that reflects light from the lens up to the viewfinder blocks the digital image sensor on the camera back until the image is shot. Therefore, digital SLR cameras generally do not let you frame and preview your shot on an LCD screen before shooting -- you must frame your shot in the viewfinder, as you would with a traditional SLR camera.
Here is an animation showing how SLR cameras work.
Here is an animation showing how non-SLR digital cameras work.
There are a few digital SLR cameras that have come up with clever workarounds for this problem, but most digital SLRs, including the Canon Rebel, do not allow for LCD preview.
In this tutorial, the Canon Rebel is a digital SLR with no LCD preview; all other cameras are non-SLR with LCD preview.

Kamis, 10 November 2011

Tips Memilih Kamera : Saku, DSLR, Micro four thirds, NEX, NX, Nikon 1

Di saat sekarang, banyak sekali pilihan sistem kamera. Beberapa tahun yang lalu, hanya ada satu sistem kamera yang populer, yaitu kamera DSLR. Tapi kini muncul banyak saingan dari sistem kamera yang telah puluhan tahun mendominasi pasar ini.

Pada intinya, ada trade off antara ukuran kamera & lensa dengan kualitas foto dan kontrol kamera. Semakin besar sebuah kamera, semakin baik hasil fotonya dan juga semakin banyak tombol tombol dan fitur yang memudahkan fotografer.

Idealnya, sebuah sistem kamera berukuran relatif kecil, ringan dan menghasilkan foto yang sempurna, tapi sampai sekarang, masih sulit ditemukan sistem kamera ideal tersebut.
Maka dari itu, kita terpaksa memilih, jika kita ingin kamera yang kecil dan bisa dikantongin, maka kamera saku cocok bagi kita. Jika kita ingin kualitas dan kinerja kamera yang terbaik, sistem kamera DSLR cocok untuk itu.
Jika kita mencari kompromi antara kualitas foto, kinerja dan ukuran, maka ada sistem kamera baru seperti Micro four thirds, Sony NEX, Samsung NX, Ricoh GXR, Pentax Q dll.
Artikel ini akan membahas secara ringkas bersama ilustrasi yg membedakan antara satu sistem dengan yang lainnya. Mudah-mudahan yang baru ingin mencari sistem kamera baru dapat terbantu dengan ulasan saya.
Kamera saku
Jika ingin kamera yang mungil dan bisa masukkan ke saku, maka kamera saku merupakan pilihan yang cocok. Kamera saku memiliki lensa yang bergabung dengan badan kamera sehingga kita tidak bisa menukar lensa.
Ada beberapa jenis kamera saku yang tersedia di pasar, antara lain adalah kamera saku canggih dan kamera saku superzoom. Kamera saku canggih menghasilkan kualitas foto sedikit di atas kamera saku biasa. Kamera saku juga bisa merekam kamera foto format RAW.
Sedangkan kamera saku jalan-jalan adalah jenis kamera saku yang memiliki lensa dengan jangkauan lebar sampai sangat jauh atau tele. Kekurangan dari kamera ini adalah kualitas foto yang tidak begitu baik dan tidak bisa berganti lensa. Kamera semacam ini cocok untuk yang hobi jalan2 tapi tidak mau repot repot bawa kamera berukuran lebih besar.
Depan: Canon S95, Kiri: Nikon P300, Kanan: Panasonic LX5
Depan: Canon S95, Kiri: Nikon P300, Kanan: Panasonic LX5
Rekomendasi
  • Nikon Coolpix P300 – kamera kecil yang mudah dipakai, punya lensa yang lebar (24mm) dengan bukaan besar. Cukup baik di kondisi cahaya yang kurang baik.
  • Canon S95 – mungil tapi berkualitas tinggi. Menurut standar kamera saku kualitas foto yg dihasilkan sangat baik meskipun di kondisi cahaya yg krg baik. bisa merekam format RAW.
  • Sony HX5 kamera yg memiliki zoom 10x ideal buat jalan-jalan. Ada fitur seperti panaroma stiching yang cocok untuk mengambil foto panorama secara otomatis.
Nikon 1
Sistem ini dinamakan Nikon 1 karena sistem ini berdasarkan ukuran sensor gambar yang berukuran satu inci. Ukuran sensor ini ber-crop factor 2.7x artinya lebih kecil dari kamera DSLR yang ada di pasaran (1.5x) atau kamera Nikon full frame (FX) (1x).
Sistem baru Nikon ini lebih ditujukan kepada khalayak umum yang ingin kualitas foto yang lebih baik dan kamera yang lebih handal dari kamera saku tetapi tidak ingin sistem kamera sebesar sistem kamera DSLR. Fitur-fitur kamera ini dioptimalkan untuk orang yang belum memahami dasar fotografi.
Lebih lengkap dengan sistem Nikon 1 bisa dibaca di artikel Sistem kamera mungil Nikon V1 & J1
sistem-nikon-1

Micro Four Thirds
Jika ingin kamera berukuran tidak terlalu besar seperti kamera DSLR, tapi ingin kualitas foto yang lebih baik dari kamera saku, pilihan yang cocok adalah sistem kamera micro four thirds. Sistem ini didukung oleh Panasonic, Olympus, Leica dan beberapa produsen lensa lainnya. Kamera m43 ini berukuran jauh lebih kecil dari kamera DSLR karena tidak memiliki cermin untuk jendela bidik optikal.
Sensor gambar kamera juga lebih kecil dari kamera DSLR. Akibatnya desain lensa juga bisa ikut diperkecil. Sampai saat ini, lensa-lensa yang ditawarkan lensa sistem ini paling banyak dibandingkan dengan sistem bukan DSLR.
Sistem m43 adalah kompromi yang baik antara kualitas foto dan ukuran kamera & lensa.
Panasonic GF1, kamera m43 terlihat jauh lebih ramping dibandingkan dengan kamera DSLR pemula Canon
Panasonic GF1, kamera m43 terlihat jauh lebih ramping dibandingkan dengan kamera DSLR pemula Canon
Rekomendasi kamera M43
  • Panasonic GH2 kamera yang handal baik untuk foto maupun video. Punya jendela bidik built in dan layar LCD putar. Ukurannya relatif kecil dibandingkan dengan kamera DSLR.
  • Panasonic GX1 Kamera yang bentuknya relatif kecil tapi berkualitas tinggi. Disukai oleh street photographer.

Mirrorless system dengan sensor APS-C
Jika yang diinginkan adalah kualitas foto yang setara dengan kamera DSLR tapi ingin bodi kamera yang lebih kecil, ada dua pilihan yaitu sistem SONY NEX dan Samsung NX.
Keduanya memiliki konsep yang kurang lebih sama, yaitu memiliki sensor sebesar yang terdapat di kamera DSLR. Kekurangannya, meski bodi kameranya berukuran kecil, tapi banyak lensanya yang berukuran relatif besar dan panjang.
Sony NEX-5 (kiri) memiliki badan kamera yang sangat mungil, tapi lensanya hampir sebesar lensa kamera DSLR
Sony NEX-5 (kiri) memiliki badan kamera yang sangat mungil, tapi lensanya hampir sebesar lensa kamera DSLR
Rekomendasi
  • Sony NEX 5N kamera ini sangat mungil dan ringan tapi kualitas fotonya sangat baik meski di kondisi cahaya yg kurang baik. Tidak banyak tombol sehingga ganti setting agak merepotkan.
  • Samsung NX200. Punya antar muka yang sangat baik dan koleksi lensa yang sampai saat ini lebih baik dari SONY NEX. Tapi masih kurang populer di Indonesia.
Kamera DSLR
Jika menginginkan kamera yang dapat menghasilkan kualitas foto yg tinggi dengan jendela bidik optik dan koleksi lensa dan aksesoris lain yg lengkap, kamera DSLR boleh jadi andalan.
Secara garis besar, kamera DSLR dibagi dua macam berdasarkan besarnya sensor kamera. Kamera DSLR yg dipasaran biasanya bersensor APS-C Kamera bersensor lebih besar dari ASP-C sering disebut kamera full frame, setara dengan ukuran film.
Kamera DSLR bersensor APS-C terbagi atas beberapa model:
  • Model pemula biasanya murah, kinerjanya tidak begitu cepat dan fiturnya terbatas.
  • Model menengah ditujukan kepada yang ingin lebih serius mendalami fotografi atau membutuhkan kamera dgn kinerja lebih cepat. Biasanya bodinya lebih banyak tombol untuk memudahkan penggantian setting
  • Model canggih ditujukan untuk fotografer yang menyukai jenis fotografi aksi seperti olahraga, tari, jurnalisme, satwa liar, dst
Rekomendasi
  • Model pemula Canon 550D, Nikon D5100
  • Model menengah Canon 60D, Nikon D7000
  • Model canggih Canon 7D, Nikon D300s
Sedangkan kamera yang memiliki sensor full frame terdiri dari dua jenis model berdasarkan prioritasnya. Jika prioritasnya adalah ukuran foto, maka yang cocok adalah kamera berresolusi besar, seperti Nikon D3X, Canon 5D mk II, Sony A900.
Jika prioritasnya adalah kualitas foto di ISO tinggi dan kinerja kamera yang sangat tinggi untuk foto liputan seperti olahraga, maka yang cocok adalah kamera seperti Nikon D700, D3S atau Canon 1DX.
Kamera SLT
Kamera DSLR memilliki kelemahan saat merekam video. Pada umumnya, kinerja auto fokus sangat lamban dan tidak bisa mengikuti subjek yang bergerak. Sony mengeluarkan sistem kamera SLT (semi translucent mirror) untuk mengatasi masalah ini.
Dengan sistem ini, kinerja auto fokus di saat live view atau merekam video sangat baik. Kecepatan tembak per detiknya juga cepat (dengan batasan tertentu). Kelemahan sistem ini adalah tidak memiliki jendela bidik optik. Meskipun demikian, jendela bidik elektronik tersedia.
Sistem ini cocok dengan kamera DSLR Sony Alpha, jadi kita bisa mengunakan lensa-lensa Sony dan juga mengunakan aksesoris Sony.
Kelemahan jendela bidik elektronik adalah kualitasnya akan menurun saat di kondisi cahaya yang kurang baik, dan menguras baterai lebih cepat daripada kamera DSLR. Meski kita bisa mengambil foto dengan cepat, tapi settingnya lebih terbatas, misalnya hanya bisa mengunakan bukaan terbesar.
Sistem ini patut di pertimbangkan oleh yang gemar merekam video (selain foto) dan yang sudah memiliki banyak lensa DSLR Sony Alpha.

Rekomendasi
  • Model pemula: Sony A33, A55
  • Model canggih: Sony a77
A77 adalah model terbaru kamera SLT Sony yang terbaru
A77 adalah model terbaru kamera SLT Sony yang terbaru
http://www.infofotografi.com/

Senin, 31 Oktober 2011

Canon EOS 500D (Digital Rebel T1i / Kiss X3 Digital) Review


Review based on a production Canon EOS 500D
Just 14 months after the launch of the EOS Rebel XSi (450D), Canon has unveiled its latest model, the Rebel T1i (500D). It's the fifth generation of Rebel and enters the market at a difficult time - in the midst of a global economic downturn and against the fiercest competition we've ever seen in the entry-level DSLR sector. So what has Canon done to make this latest model in the longest-established family in the sector live up to the edgy and exciting image implied by its US naming?
The 500D/T1i doesn't quite have to be the everyman camera that its predecessors were. The introduction of the Rebel XS (1000D) in June 2008 means the T1i no longer has to appeal to everybody who doesn't want to stretch to buying into the 50D class. As a result, the 450D was able to bulk up its feature set to include a selection of features that price-conscious shoppers don't necessarily realize they want, such as a larger viewfinder and spot metering. The result was probably the most complete Rebel we'd seen.
There's a full explanation of the differences between the 500D/T1i and it predecessor on the coming pages but, in general terms, it's a gentle re-working of the 450D. So you get the 15MP sensor much like the one that appears in the 50D, helping this to become the first entry-level DSLR to feature video (and 1080p HD video at that). You also get the lovely 920,000 dot VGA monitor that has been slowly working its way down most manufacturer's DSLR line-ups. There are a handful of other specification tweaks that come from the use of the latest Digic 4 processor but essentially this is most of a 50D stuffed into the familiar 450D body.
And, if the loss of the letter 'X' from the US name seems a bit disconcerting, you can comfort yourself with the knowledge that the Japanese market will still know it by the odd-to-European-ears 'Kiss X3 Digital.' For simplicity's sake, we'll refer to the 500D/T1i/Kiss X3 by the name 500D throughout the rest of the review.

A brief history; Canon entry level digital SLR series

* The Canon EOS 1000D represents a sub-class of the Rebel series and hence should be considered a parallel series

Compared to predecessor - key differences

Although for the time being the EOS 500D will sit alongside the 450D in the Canon DSLR line-up there is no doubt that sooner or later it will replace the older model and occupy the spot between the 1000D as and the EOS 50D on its own. The most noticeable new features on the EOS 500D are the higher resolution sensor, the new high-res LCD and the HD video mode but the camera also comes with the latest generation DIGIC imaging processor which brings a few more low-key improvements such as fine-tunable noise reduction and Highlight Tone Priority or a fresher, animated menu design with it. See the list and table below for all the spec and feature changes..
  • Higher resolution sensor (15.1 vs 12.2 effective megapixels)
  • Extended ISO range up to ISO 12800
  • HD video capability
  • New 3.0 inch 920K pixels screen
  • Adjustable noise reduction and highlight tone priority
  • Face Detection in Live View
  • Peripheral Illumination Correction
  • HDMI output
  • Larger buffer in continuous shooting
  • Digic 4 style menu design

Canon EOS 500D vs. EOS 450D feature and specification differences

 
Canon EOS 40D
Canon EOS 500D
Canon EOS 40D
Canon EOS 450D
Sensor • 15.1 million effective pixels • 12.2 million effective pixels
Image sizes • 4752 x 3168
• 3456 x 2304
• 2353 x 1568
• 4272 x 2848
• 3088 x 2056
• 2256 x 1504
Image processor DIGIC 4 DIGIC III
Sensitivity ISO 100 to 3200, extendable to(6400) and H (12800). ISO 100 to 1600
Auto ISO ISO 100 to 1600 ISO 100 to 800
Noise reduction Four levels On/Off
Auto lighting optimizer Four levels On/Off
Viewfinder info Now includes Highlight Tone Priority icon  
LCD monitor • 3.0 " TFT LCD
• 920,000 dots
• 3.0 " TFT LCD
• 230,000 dots
Video mode • 1080p @ 20fps
• 720p @ 30fps
• VGA @ 30fps
• MOV (Video: H.264, Sound: Linear PCM)
No video capability
Live view AF • Quick mode (Phase detect)
• Live view mode (Contrast detect)
• Face detect (Contrast detect)
• Quick mode (Phase detect)
• Live view mode (Contrast detect)
Peripheral illumination
correction
• Profiles of 25 lenses includes  
High-speed continuous • 3.4 fps
• 170 JPEG/Fine frames
• 9 RAW frames
3.5 fps
53 JPEG/Fine frames
6 RAW frames
Menu UI Digic 4 interface Digic III interface
Connectors • USB 2.0 Hi-Speed
• Video output (PAL/ NTSC) (integrated with USB terminal)
• HDMI Type C
• USB 2.0 Hi-Speed
• Video output (PAL/ NTSC) (integrated with USB terminal)
Menu languages 25 20

Foreword / notes

If you're new to digital photography you may wish to read some of our Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).
Conclusion / recommendation / ratings are based on the opinion of the author, we recommend that you read the entire review before making any decision. Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of them, click to display a larger image in a new window.
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Dpreview use calibrated monitors at the PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally also A, B and C.

Selasa, 18 Oktober 2011

Canon EOS-1D X professional DSLR announced!

Canon EOS 1D-XToday Canon has announced the  EOS-1D X, its newest flagship professional DSLR. The Canon EOS-1D X camera features 18Mp full-frame sensor capable of shooting at astounding 12 frames per second (up to 14fps with mirror up and in JPEG). Canon EOS-1D X will replace both the 1D Mark IV and 1DS Mark III in Canon’s lineup. New camera is looking very similar to previous 1D cameras, but its guts has been extensively redesigned. The Canon EOS-1D X won’t be available until March 2012.


Canon U.S.A., Inc., a leader in digital imaging, is proud to introduce a completely revolutionized EOS-1D series camera, the Canon EOS-1D X Digital SLR camera.* As the new leader in Canon’s arsenal of professional DSLRs, the EOS-1D X will be a high-speed multimedia juggernaut replacing both the EOS-1Ds Mark III and EOS-1D Mark IV models in Canon’s lineup. Enhancing the revolutionary image quality of the EOS-1Ds and speed capabilities of the EOS-1D series, the EOS-1D X DSLR features an 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps).  Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level.The EOS-1D X announcement comes on the heels of Canon’s recent manufacturing milestone with the production of the Company’s 50-millionth EOS-series SLR camera in September of 2011. Furthermore, Canon will achieve yet another milestone at the end of this month producing the 70-millionth EF lens.
“The EOS-1D X represents the re-invention of the EOS-1Ds and EOS-1D series, combining new proprietary Canon technologies with the culmination of customer feedback and requests from the field. We are proud to introduce this camera to the worldwide community of professional photographers and cinematographers with the features and capabilities they need to capture the great moments that display their talent,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
The Camera With Three Brains
The EOS-1D X features three DIGIC processors, including Dual DIGIC 5+ image processors capable of delivering approximately 17 times more processing speed than DIGIC 4, and a dedicated DIGIC 4 for metering and AF control. In conjunction with the newly developed high-performance 18-megapixel full-frame Canon CMOS image sensor, the Dual DIGIC 5+ processors provide high-speed continuous shooting, lower noise, and a significant increase in data processing speed than previous EOS-1D models. This new level of data processing speed allows the EOS-1D X to perform many functions including chromatic aberration correction for various Canon EF lenses in-camera instead of through post-production software. The DIGIC 4 processor utilizes a new 100,000-pixel RGB Metering Sensor for enhanced exposure accuracy with color and face detection, and works together with the camera’s new EOS iTR (Intelligent Tracking and Recognition) AF.
The EOS-1D X employs a completely new imaging sensor, producing the lowest noise of any EOS digital camera to date for stunning portraiture and studio work.  The new 18-megapixel full-frame CMOS sensor utilizes large pixels – 1.25 microns larger than those in the EOS-1D Mark IV sensor and .55 microns larger than those in the EOS 5D Mark II sensor  – together with gapless microlenses to achieve enhanced light gathering efficiency, higher sensitivity and less noise at the pixel level.  The new sensor has improved on the already very high signal-to-noise ratio of sensor output of earlier EOS models for outstanding image quality, even in extremely low light.  When combined with the Dual DIGIC 5+ imaging processors the results are stunning.  The images produced with the EOS-1D X camera’s new sensor are so clean that files can easily be up-sized if necessary for even the most demanding high-resolution commercial applications. The EOS-1D X will also feature new Ultrasonic Wave Motion Cleaning (UWMC), Canon’s second generation self-cleaning sensor unit, which utilizes carrier wave technology to remove smaller dust particles from the sensor and it includes a new fluorine coating on the infrared absorption glass to help repel dust.
The low-light capability of the EOS-1D X is evident in its incredible ISO range and ability to photograph in extremely low-light conditions. Adjustable from ISO 100 to 51,200 within its standard range, the new model offers a low ISO 50 setting for studio and landscape photography and two high settings of 102,400 at H1 and 204,800 at H2, ideal for law enforcement, government or forensic field applications.
New 61-Point High Density Reticular AF
The EOS-1D X includes a brand new 61-Point High Density Reticular AF, the most sophisticated DSLR AF system Canon has ever released.  The 21 focusing points in the central area are standard precision cross-type and effective with maximum apertures as small as f/5.6, depending on the lens in use. The center five points are also high-precision diagonal cross-type points for maximum apertures as small as f/2.8.  All 61 points are sensitive to horizontal contrast with maximum apertures as small as f/5.6 and 20 of the outer focusing points function as cross-type points with maximum apertures as small as f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low light sensitivity, and greater low-contrast subject detection capability compared to earlier EOS AF systems.
Canon EOS 1D-X AF point layout
Canon EOS 1D-X AF point layout
All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models).  A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.
Similar to the AF point selection options offered in the EOS 7D Digital SLR camera, the EOS-1D X offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.
Canon EOS 1D-X AF area selection modes
Canon EOS 1D-X AF area selection modes

EOS iTR AF: Intelligent Tracking and Recognition Enhances AF Performance
The Canon EOS-1D X features incredible new EOS iTR (Intelligent Tracking and Recognition) AF options ideal for wedding and event photography as well as sports and photojournalism. The default AF mode for the EOS-1D X uses phase detection AF information, while a new second option uses Face Detection technology to track recognized faces in addition to color information, ideal when shooting events such as tennis or dancing where facial recognition of the original subject will help keep that person in focus throughout the scene.
Exposure Control
For the first time in a Canon DSLR camera, a DIGIC processor is used exclusively with the metering sensor for fast, accurate exposure control. The Canon DIGIC 4 processor takes advantage of the EOS-1D X’s 100,000-pixel RGB Metering Sensor and utilizes 252 zones for general metering or 35 zones for low-light metering to help ensure accurate evaluative ambient or flash exposure.  The new subject recognition capabilities enhance nearly all of the camera’s automatic functions, helping to adjust exposure, autofocus, Auto Lighting Optimizer and Automatic Picture Style to the scene being captured for enhanced image quality.
Multiple Exposure Modes
The EOS-1D X is the first EOS Digital SLR to feature Multiple Exposure capability. The camera can combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS-1D X’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image.
Super High Speed Mode
The Canon EOS-1D X camera breaks new ground in the world of digital SLRs, offering a Super High Speed Mode which increases shooting speeds up to 14 fps at full 18-megapixel resolution in JPEG mode*1. The new camera is also capable of shooting RAW, JPEG, or RAW+JPEG at speeds up to 12 fps in One Shot AF or AI Servo AF for enhanced performance in sports photography and other applications requiring high-speed digital capture. This new level of performance is made possible by the combination of the EOS-1D X’s 16-channel readout CMOS sensor, Dual DIGIC 5+ image processors, and a completely new reflex mirror mechanism that has been engineered by Canon to combine high-performance with exceptional precision and reliability.
Enhanced EOS HD Video – New Compressions, Longer Recording
Centered around an all-new full-frame CMOS sensor with larger pixels than those found on the EOS 5D Mark II image sensor, the EOS-1D X utilizes new HD video formats to simplify and speed up post-production work.  The two new compression formats offered on the EOS-1D X include intraframe (ALL-i ) compression for an editing-friendly format and interframe (IPB) compression for superior data compression, giving professionals the options they need for their ideal workflow. Answering the requests of cinematographers and filmmakers, the EOS-1D X includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing multiple cameras or separate sound recording to be synced together in post production.
Canon’s all new full-frame CMOS sensor ensures that video footage captured on the EOS-1D X will exhibit less moiré than any previous Canon model, resulting in a significant improvement in HD video quality. A desired feature for many documentary filmmakers using Canon DSLRs was to enable recording beyond the four gigabyte (GB) file capacity and the EOS-1D X is the answer. The new camera features automatic splitting of movie files when a single file exceeds 4GB.  The new file splitting function allows for continuous video recording up to 29 minutes and 59 seconds across multiple 4GB files; no frames are dropped and the multiple files can be seamlessly connected in post production, providing filmmakers the recording time they want in the same convenient DSLR form factor. The camera records Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97); and 720p HD or SD video recording at either 50p or 60p (59.94). SD video can be recorded in either NTSC or PAL standards.
The Canon EOS-1D X also includes manual audio level control, adjustable both before and during movie recording, an automatic setting, or it can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input.
Enhanced Ergonomics & Optimized Design
Photographers familiar with Canon’s EOS 1D-series of cameras will notice the control configuration of the EOS-1D X takes a different approach to button placement.  The re-designed exterior and ergonomic button configuration feels comfortable in your right hand, allowing seamless navigation through menu options.
The Live View Button has been conveniently placed near the user’s thumb for one-touch switching between Live View and Viewfinder shooting. The Quick Control Button and menu navigation controls will allow users to change camera settings using only their right hand, for fast, simple one-handed control using their thumb on the scroll wheel. The new multi-controller is positioned by the right hand thumb when the camera is held for vertical shooting and enables the same level of control to camera operators when shooting vertically as they have when shooting horizontally.  On the front of the camera are four user assignable function buttons, two for vertical shooting and two for horizontal shooting, allowing customizable button control when shooting in either position.  The camera also features a level of weather resistance equivalent to earlier professional models such as the EOS-1D Mark IV.
Canon has answered the request of many professional EOS photographers and incorporated Dual Card Slots into the new EOS-1D X DSLR camera. The dual CF card slots will allow photographers to carry only one memory card format and still achieve instant image back-ups and enhanced storage capacity.
This camera also features a new shutter design with even greater durability and precision. Rated to 400,000 cycles, the new carbon fiber shutter blades are more lightweight and durable, allowing the EOS-1D X to achieve over 100,000 cycles more than the shutter of the EOS-1D Mark IV.  A new shutter motion and new motor help further reduce vibration in the camera. The EOS-1D X also features an electronic first curtain, new to the EOS-1D series DSLRs, for minimal in-camera vibration during image capture.
Connectivity
For professional photographers who prefer a wired workflow and transfer system, Canon has included a built-in LAN connection in the EOS-1D X DSLR. The built-in LAN connection features a gigabit Ethernet Jack capable of 1000BASE-T transmission speeds, offering photographers a stable wired connection for ultra-fast data transmission.  If the network were to go down, the camera will attempt to resend images until the files are sent.  The EOS-1D X also features a direct image transfer function whereby images can be selected for transfer, and only sent once a LAN or USB connection is established.
Accessories
Designed exclusively for the EOS-1D X, the new Canon WFT-E6A Wireless File Transmitter* features wireless LAN support for 802.11n network transfer rates providing users with increased communication speed when compared to previous models.  With this new dust and weather resistant model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras.  In addition, Bluetooth-compatible equipment can be easily linked to the device as well.
The EOS-1D X also offers an optional Canon GP-E1 GPS Receiver*, which can be easily integrated into the camera’s body.  Powered by the camera, this GPS receiver provides the same weatherproof resistance as the EOS-1D X, even at the connector. With an electronic compass on-board, the GP-E1 will log movement – latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting.  The receiver will also record camera direction when shooting, even when shooting vertically.
Pricing and Availability
The Canon EOS-1D X Digital SLR camera is scheduled for March 2012 availability and will be sold in a body-only configuration at an estimated retail price of $6,800.00. The compact, lightweight WFT-E6A Wireless File Transmitter is scheduled to be available in March 2012 and have an estimated retail price of $600. Availability for the GP-E1 GPS receiver is expected in April 2012 with an estimated retail price of $300.
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Canon EOS-1D Mark II specifications


 Pricing (body only)
 USA                $ 4,499
 Europe             € 4,600



Image sensor
Type 28.7 x 19.1 mm CMOS
Effective Pixels Approx. 8.2M
Total Pixels Approx. 8.5M
Aspect Ratio 3:2
Low-Pass Filter Built in/ Fixed
Colour Filter Type Primary Colour
Image processor
Type DIGIC II
Lens
Lens Mount EF (excludes EF-S lenses)
Focal Length 1.3x Multiplication with EF lens fitted
Focusing
Type TTL-AREA-SIR with a CMOS sensor
AF System/ Points 45 -point AF (Area AF)
AF working range EV 0-18 (at 20°C & ISO 100)
AF Modes • One Shot
• AI Servo
AF Point Selection • Automatic selection
• Manual selection
• Home position (switch to registered AF point)
Selected AF point display Superimposed in viewfinder
Predictive AF Yes
AF Lock Locked when shutter button is pressed half way in One Shot AF mode.
AF Assist Beam Emitted by an optional dedicated Speedlite
Manual Focus Selected on lens
Exposure control
Metering modes TTL full aperture metering with 21 zone SPC
1. Evaluative metering (linked to any AF point)
2. Partial metering (approx. 8.5% of viewfinder at centre)
3. Spot metering: Center spot metering (approx. 2.4% viewfinder at center) AF point-linked spot metering (approx. 2.4% of viewfinder) Multi/Spot metering (Max 8 spot metering entries)
4. Center weighted average metering
Metering Range EV 0-20 (at 20°C with 50mm f1.4 lens ISO 100)
AE Lock • Auto: Operates in 1-shot AF mode with evaluative metering when focus is achieved
• Manual: By AE lock button in all metering modes
Exposure Compensation +/-3 EV in 1/3-stop increments (can be combined with AEB).
AEB • +/-3 EV in 1/3-stop increments.
• 1/2-stop increments selectable with C.Fn-06-2.
• Bracketing methods: 1 Shutter speed or aperture, 2 ISO speed
ISO Speed Equivalent • 100-1600 (in 1/3-stop increments)
• ISO can be expanded to L: 50 or H: 3200 (selected on shooting menu)
Shutter
Type Electronically-controlled focal-plane shutter
Speed • 30 - 1/8000 sec. (1/3 stop increments)
• Bulb
• (Shutter speeds of 1/2 sec or more operate with noise reduction)
Shutter release Soft-touch electromagnetic release
White balance
Type Auto white balance with the imaging sensor
Settings • Auto
• Daylight
• Shade
• Cloudy
• Tungsten light
• Fluorescent light
• Flash
• Custom
• Colour Temperature Setting
• Personal WB
• (Total 10 Settings) White balance compensation: 1. Blue/Amber +/-9 2. Magenta/ Green +/-9.
Personal White Balance Up to 3 personal WB settings can be registered
WB Bracketing • +/-3 stops in full stop increments.
• Method: 1. Blue/Amber 2.Magenta/Green. 3 bracketed images per shutter release.
Colour matrix
Type 5 types of colour space:
• 4x sRGB
• Adobe RGB
• 2x user selectable
Viewfinder
Viewfinder Eye-level pentaprism
Coverage (Vertical/Horizontal) Approx. 100% (for JPEG Large images)
Magnification 0.72x (4)
Eyepoint 20mm
Dioptre Correction -3 - 1 dpt
Focusing Screen Interchangeable (9 types). Standard Focusing Screen Ec-CIII
Mirror • Quick-return half mirror (Transmission: reflection ratio of 37:63
• no mirror cut-off with EF1200mm f5.6 or shorter
Viewfinder Information • AF information (AF points, focus confirmation light)
• Exposure information (shutter speed, aperture
• manual exposure
• metering range
• ISO speed
• exposure level
• exposure warning)
• Flash Information (flash ready, FP flash, FE lock, flash exposure level), JPEG format
• number of remaining shots
• CF card information
• WB compensation.
Depth of field preview Yes
Eyepiece shutter Built-in
LCD monitor
Monitor • 2.0" TFT
• approx. 230K pixels
Coverage Approx. 100% (for JPEG images)
Brightness Adjustable to one of five levels
Flash
Modes • E-TTL II
• Auto Flash
• Metered Manual
HotShoe/ PC terminal Yes/ Yes
X-sync 1/250sec
Flash Exposure Compensation +/-3 EV in 1/3-stop increments with EX series Speedlites
Flash Exposure Bracketing Yes
Flash Exposure Lock Yes
Second Curtain Synchronisation Yes
External Flash • E-TTL with EX series Speedlites
• wireless multi-flash support.
Shooting
Modes • Program AE
• Shutter priority AE
• Aperture priority AE
• Manual
Drive modes • Single
• Continuous L
• Continuous H
Continuous Shooting • Maximum approx. 8.3 fps
• JPEG: up to 40 images (JPEG quality 8)
• RAW: up to 20 images (2)
Recording pixels / compression
Image Size • 3504x2336 (L)       (8.2 million pixels)
• 3104x2072 (M1)    (6.4 million pixels)
• 2544x1696 (M2)    (4.3 million pixels)
• 1728x1152 (S)       (2.0 million pixels)
• 3504x2336 (RAW)
Compression • JPEG (1-10 settings, user selectable)
• RAW (Canon RAW 2nd edition, .CR2 files)
File format
Still Image Format • JPEG (Exif 2.21 [Exif Print] compliant)
• Design rule for Camera File system (2.0)
• Digital Print Order Format [DPOF] Version 1.1 compliant
RAW+JPEG simultaneous recording Yes
Folders Folder creation & selection is possible
File Numbering 1. Consecutive numbering
2. Auto reset
3. Manual reset
Processing Parameters 3 parameters in 3 sets
Sound Files WAVE (monaural)
Direct print
Canon Printers Canon Compact Photo Printers and Bubble Jet Printers with the direct print function.
PictBridge Yes
Other features
Custom Functions 21 Custom Functions with 67 settings
Personal Functions 27
LCD Panel (EL) Illumination Yes
Water/ Dust resistance Yes
Sound Memo Up to 30sec per image
Orientation Sensor Yes
Histogram • Brightness: Yes
• RGB: Yes
Playback zoom 1.5x - 10x
Display Formats 1. Single image with information
2. Single image
3. 4 image index
4. 9 image index
5. Magnified view
Image Erase Protection Erase protection of one image, all images in a folder, or all images in the memory card can be applied or cancelled at one time
Image Erase • Single image
• All
Self Timer Approx. 2 or 10 sec.
Menu Categories 1. Recording Menu
2. Playback menu
3. Set-up menu
4. Custom/ Personal Functions Menu
Menu Languages • English
• German
• French
• Dutch
• Danish
• Finnish
• Italian
• Norwegian
• Swedish
• Spanish
• Simplified Chinese
• Japanese
Firmware Update Update possible by the user.
Interface
Computer • IEEE 1394 (Supplied with 4-pin dedicated cable)
• USB 1.1(Mini-B, PTP)
Other Video output (PAL/ NTSC)
Memory card
Type • CompactFlash Type I/ II (Microdrive compatible)
• SD memory
Supported operating system
PC Windows 98 (including SE) / 2000 / Me / XP
Macintosh • OS 9.0 – 9.2
• OS X v10.1 / v10.2
Software
Browsing & Printing EOS Viewer Utility/ EOS Capture
Other PhotoStitch
Drivers • TWAIN (Windows 98 / 2000)
• WIA (Windows Me)
Image Manipulation Digital Photo Professional
Power source
Batteries • 1x Ni-MH pack NP-E3
• 1x CR2025 for date & settings
Battery life Approx. 1200 (at 20C) Approx. 800 (at 0C)
Battery check Automatic
Power saving Power turns off after 1, 2, 4, 8, 15 or 30mins.
A/C Power Supply Power adapter DCK-E1
Accessories
Lenses All EF lenses (excludes EF-S lenses)
Flash Canon Speedlites (220EX, 380EX, 420EX, 550EX, Macro-Ring-Lite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2)
Remote Controller/ Switch Remote control with N3 type contact
Power Supply & Battery Chargers • DC coupler kit DCK-E1
• Battery charger NC-E2
Physical specifications
Body Materials Magnesium Alloy
Operating Environment • 0-45 °C
• 85% or lower humidity
Dimensions (WxHxD) 156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in)
Weight (body only) Approx. 1.2 kg (battery weight 335 g)
(1) Large/Fine with LCD monitor off
(2) Depending on memory card speed & capacity
(3) compatible with 2GB memory cards & larger

(4) with 50mm lens at infinity, -1dpt

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